{"id":3687734,"date":"2016-11-21T10:00:28","date_gmt":"2016-11-21T15:00:28","guid":{"rendered":"https:\/\/newwebdev.wordpress-developer.us\/hauteresidence\/?p=3687734"},"modified":"2017-03-14T19:31:54","modified_gmt":"2017-03-14T23:31:54","slug":"qa-yayoi-kusamas-vision-for-her-commissioned-artwork-in-sky","status":"publish","type":"post","link":"https:\/\/newwebdev.wordpress-developer.us\/hauteresidence\/qa-yayoi-kusamas-vision-for-her-commissioned-artwork-in-sky\/","title":{"rendered":"Q&A: Illustrious Artist Yayoi Kusama’s Vision for Ornamental Bronze Pumpkin, Infinity Nets Paintings in NYC’s Sky Tower"},"content":{"rendered":"

Designed with David Rockwell\u2019s stylish vision, and in collaboration with the New York Knicks\u2019 Carmelo Anthony on a luxury, professional-grade basketball court, The Moinian Group\u2019s newest residential tower<\/a> Sky<\/a> is designed for Manhattan, New York\u2019s sophisticated millennial.<\/p>\n

\"At<\/a>
At the forefront of the building, an infinity loop motor court circles an enormous ornamental bronze pumpkin, dotted in black stone\u2013\u2013an original work of art by illustrious Japanese artist Yayoi Kusama that was commissioned for Sky<\/figcaption><\/figure>\n

At the forefront of the building, an infinity loop motor court circles an enormous ornamental bronze pumpkin, dotted in black stone. It\u2019s an original work of art by illustrious Japanese artist Yayoi Kusama that was commissioned for Sky, as were several other pieces showcased throughout the building. In the \u201cArt Library\u201d of the lobby, Kusama\u2019s twin Infinity Nets<\/em> paintings hang above the fireplace at each end as additional pieces of aesthetic elegance.<\/p>\n

On Kusama\u2019s artistic vision for each piece, we spoke with Fabian Lang, who is the director of sales for Victoria Miro, London\u2019s acclaimed contemporary art gallery, and who worked with Kusama to curate custom artwork for Sky.<\/p>\n

Haute Residence: Yayoi Kusama\u00a0created several custom pieces for Sky. How does each piece align with her artistic style and vision?<\/strong><\/p>\n

Fabian Lang: While Kusama’s extraordinary artistic endeavors over the past 70 years have spanned painting, drawing, collage, sculpture, performance, film, printmaking, installation, and environmental art, as well as literature, fashion, and product design, an enduring feature of her art is the intricate lattice of paint that covers the surface of her Infinity Net<\/em> canvases. Composed of repeated, looping brush marks across the canvas, each of which leaves a negative dot at its center, Kusama\u2019s nets suggest an endless lattice, conjured less by hand, it seems, than emanating from deep within the psyche. Forging a path between abstract expressionism and minimalism, Kusama first showed her white Infinity Nets <\/em>in New York in the late 1950s to critical acclaim. She continues to develop their possibilities in monochromatic works, which are covered with undulating meshes that seem to fluctuate and dissolve as the viewer moves around them. Obsessively handmade, the Infinity Nets <\/em>are endlessly self-referential and self-generating. The ultimate, immersive expression of her lifelong exploration of infinity, illusion, self-obliteration, and repetition they attest to Kusama\u2019s singularity of vision, her tireless commitment and legendary endurance.<\/p>\n

HR: Specifically, talk about\u00a0Kusama’s\u00a0vision for the bronze pumpkin sculpture in front of Sky.<\/strong><\/p>\n

FL: The pumpkin form has been a motif in Kusama\u2019s art since the late 1940s. Coming from a family that made its living cultivating plant seeds, Kusama was familiar with the kabocha squash in the fields that surrounded her childhood home. It was in early childhood that Kusama also began to experience the terrifying visual and auditory hallucinations that left her \u201cdazzled and dumbfounded\u201d by repeating patterns that engulfed her field of vision, flashing and glittering around her, a process she referred to as obliteration. It was after Kusama\u2019s return to Japan from New York in the 1970s that she began to revisit the pumpkin form. It has come to represent for her a kind of alter-ego or self-portrait\u00ad\u00ad\u2013\u2013part-organic, part-conceptual\u2013\u2013 and occupies a special place in her iconography. Enchanted by their \u201ccharming and winsome\u201d forms as she describes them, the artist has said it is the pumpkin\u2019s \u201cgeneral unpretentiousness\u201d that appeals to her. Kusama\u2019s bronze pumpkin sculptures integrate many key aspects of her practice: the repeating pattern of dots, a juxtaposition of light and dark, connotations of growth and fertility, and the almost-mythical status of the pumpkin in her art.<\/p>\n

HR: Does\u00a0Kusama\u00a0intend to contribute original works to other New York-based projects in the future?<\/strong><\/p>\n

FL: Having established herself in New York in the mid-1960s by staging groundbreaking happenings, events, and exhibitions, Kusama feels a deep connection with the city and was thrilled to be welcomed so warmly on the occasion of her 2012 retrospective at the Whitney Museum of American Art. A major exhibition of Kusama\u2019s work, focusing on the evolution of her immersive\u00a0Infinity Mirror Rooms<\/em>, will tour the U.S. and Canada next year, beginning at the Hirshhorn Museum and Sculpture Garden in Washington, D.C., in February 2017.<\/p>\n

Images courtesy of Sky<\/a> \/ Scott McDermott<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

On Yayoi Kusama\u2019s artistic vision for each piece in Sky, we spoke with Fabian Lang, who is the director of sales for Victoria Miro and who worked with Kusama to curate custom artwork for The Moinian Group\u2019s newest residential tower in New York City.<\/p>\n","protected":false},"author":67,"featured_media":3687744,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13195,1757,1749],"tags":[],"class_list":["post-3687734","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-at-home","category-hdn","category-hlrn"],"acf":[],"yoast_head":"\nQ&A: Japanese Artist Yayoi Kusama's Vision for Her Commissioned Artwork in Sky<\/title>\n<meta name=\"description\" content=\"On Yayoi Kusama\u2019s artistic vision for each piece in Sky, we spoke with Fabian Lang, who is the director of sales for Victoria Miro and who worked with Kusama to curate custom 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