{"id":3633651,"date":"2016-07-14T18:03:37","date_gmt":"2016-07-14T22:03:37","guid":{"rendered":"https:\/\/newwebdev.wordpress-developer.us\/hauteresidence\/?p=3633651"},"modified":"2016-07-14T23:17:02","modified_gmt":"2016-07-15T03:17:02","slug":"global-interiors-by-designer-geoffrey-bradfield","status":"publish","type":"post","link":"https:\/\/newwebdev.wordpress-developer.us\/hauteresidence\/global-interiors-by-designer-geoffrey-bradfield\/","title":{"rendered":"Global Interiors by Designer Geoffrey Bradfield"},"content":{"rendered":"
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\"Haute<\/a><\/em><\/p>\n

Photo Credit: Donnelly Marks<\/span><\/em><\/p>\n

A glamorous slew of multimillion-dollar apartments and homes in North America, Asia, Europe, Mexico, and beyond, the interiors of which are designed for the world\u2019s wealthiest, constitute Geoffrey Bradfield\u2019s portfolio. A London townhouse, in which he integrated Persian-influenced detailing of marble floors bordered with a lapis-and-ivory Persian mosaic, was designed for a Persian princess in Eaton Square. It is also the cover of his book, Geoffrey Bradfield Ex Arte. Blending contemporary art with global influences, his designs are often conceived in relation to the culture in which a residence resides. \u201cI like to think that I design for our moment in time…but I have an enormous respect for the past,\u201d he says. In a Mexico City penthouse, a rare Frida Kahlo self-portrait hangs on a wall in the living room celebrating the artist\u2019s continuing legacy. \u201cIf you\u2019re working in different countries, it\u2019s very important to recognize the location,\u201d he notes.<\/p>\n

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The South African-born interior designer recently formed B&T Global LLC with his partner Roric Tobin with the intent of further expanding internationally the Geoffrey Bradfield brand, which is headquartered in New York City. Over the last seven years, he\u2019s established a substantial niche for his business in Asia, where the majority of his projects are. Currently, among the seven projects the firm is designing in Asia are: the interior of a penthouse in Tokyo; a villa in Japan\u2019s countryside overlooking Mount Fuji; a house in Jakarta; another just outside of Beijing; and a further one in Shanghai; with many more to come.<\/p>\n

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Early on in his career, while working in Johannesburg during the \u201970s, Bradfield was stimulated by, and very aware of, trends happening in international architecture and design, as he traveled frequently, visiting fairs in Europe, Israel, and North America. The design studios he worked in at the time represented many revered international designers of the \u201960s and \u201970s. One was David Hicks, an English interior designer whose geometric-centric designs dazzled Johannesburg and the rest of the world, stirring a design revolution of bright colors and bold shapes, which certainly didn\u2019t bypass New York City, by far one of the most progressive cities in the world, and where Bradfield moved to in 1977.<\/p>\n

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\"Through<\/a>
Through the entry door of a 15,000-square-foot high-rise pent- house in Jerusalem is an immaculately detailed crystal camel by Baccarat: \u201cLe Vaisseau du D\u00e9sert.\u201d<\/figcaption><\/figure>\n

Photo Credit: Kim Sargent <\/span><\/em><\/p>\n

Though it is oceans away, Johannesburg was highly influenced by New York architecture and design in the \u201970s. \u201cIn many ways, Johannesburg was a mini New York,\u201d Bradfield says. \u201cIt was very forward-thinking, very contemporary.\u201d Neither city is restrained by Old-World traditions, he observes. \u201cIf we identity with anything in New York, it would probably be the \u201930s, or certainly post- 1912, when there was this explosion of high-rises.\u201d Before the \u201970s\u2019 \u201ca golden age of design,\u201d as Bradfield refers to it, interiors in South Africa had been much more defined and restricted by tradition. He adds, \u201cPrior to the advent of air conditioning, interiors were darker out of necessity, windows were more constrained…\u201d<\/p>\n

Through the entry door of a 15,000-square-foot high-rise penthouse in Jerusalem is an immaculately detailed crystal camel by Baccarat: \u201cLe Vaisseau du D\u00e9sert.\u201d Around the corner, an ancient manuscript illustrating the holy sites of Jerusalem is framed on the wall, and an impressionistic painting of Jerusalem by acclaimed Israeli artist Mordecai Ardon hangs above a grand fireplace, at the opposite end of the entryway corridor of the exquisite residence at the new Waldorf Astoria (formerly the old Palace Hotel), in which Bradfield embodied Jerusalem\u2019s storied history. The home, which is decorated throughout with bold d\u00e9cor referencing biblical antiquity, like a 16th century French marble statue of King David, is the subject of his most recent book, A 21st Century Palace: Jerusalem\u0097an in-depth volume, the second in a series of five\u0097which offers a descriptive tour through photographs, of the exceptionally embellished penthouse. Historic antiques and celebrated artwork adorn the interiors of Bradfield\u2019s projects, each one designed with globally sourced fabrics, stonework, and assorted materials derived from a particular region as it relates to a residence\u2019s aesthetic.<\/p>\n

\"A<\/a>
A London townhouse, in which Geoffrey Bradfield integrated Persian-influenced detailing of marble floors bordered with a lapis-and-ivory Persian mosaic, was designed for a Persian princess in Eaton Square.<\/figcaption><\/figure>\n

Photo Credit: Durston Saylor<\/span><\/em><\/p>\n

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His designs are defined by lavishness and luxury, but growing up, it was never about that, explains Bradfield, who grew up in rural South Africa on a farm overlooking the Indian Ocean in the Eastern Cape. Old photographs of his childhood home depict the simplicity of where he came from, a place that was luxurious without the excess of material extravagance. \u201cIt was a privilege to be raised in a background of sunshine,\u201d he says.<\/p>\n

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DESIGNING A HOME INTERIOR: HIGH-RISES VS. HOUSES<\/strong>
\nQ & A WITH GEOFFREY BRADFIELD<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

He\u2019s dabbled in luxury hotels, designing a 200-room Starwood Luxury Collection hotel in Vermont, a couple of corporate hotels in Asia and Mexico, among a few others. But Geoffrey Brad eld has always been recognized for his residential reputation, designing elaborate mansions, luxurious villas and townhouses, and glass-walled high-rise apartments for which every ornamentation and d\u00e9cor detail is thoughtfully integrated.<\/p>\n

How do you approach the design of a residence, compared with how you would approach the design of, say a private jet or yacht, which are meant to have a very different feel and look than that of a home?
\n<\/strong>If it\u2019s a small apartment, you want cohesion. Like a jet or a yacht, you don\u2019t want every area to be a contrast. You want a seamless transition: You want them to ow and have some cohesion. When you walk from one space to another, it ought not be broken up with too many ideas. But in a sizeable house, you should have different character in different rooms. I think that there is a wonderful opportunity in a house to be more expressive and more creative on a larger scale. In a small apartment, you have to be equally creative, but it\u2019s more challenging.<\/p>\n

In designing the interior of a high-rise apartment or penthouse versus a townhouse or mansion, which factors do you consider and what are the differences in the design of each?
\n<\/strong>The signature would be the same. I think that a country house would de nitely relate more to the exterior. A high-rise here [in New York City] would re ect the cityscape, and the scale might be different. It depends. Sometimes the apartments are so colossal, so there is more freedom for shared vision.<\/p>\n

This story<\/em> is featured in the Summer 2016\/Fall 2016 issue of Haute Residence magazine. Click here to flip through the digital magazine.<\/a><\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The South African interior designer embellishes high-rises and homes with famed artwork and refined antiques collected from every corner of the world.<\/p>\n","protected":false},"author":67,"featured_media":3633654,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1749,1],"tags":[],"class_list":["post-3633651","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hlrn","category-news"],"acf":[],"yoast_head":"\nGlobal Interiors by Designer Geoffrey Bradfield<\/title>\n<meta name=\"description\" content=\"The South African interior designer embellishes high-rises and homes with famed artwork and refined antiques collected from every corner of the world.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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