{"id":3627694,"date":"2016-07-01T11:30:10","date_gmt":"2016-07-01T15:30:10","guid":{"rendered":"https:\/\/newwebdev.wordpress-developer.us\/hauteresidence\/?p=3627694"},"modified":"2016-07-01T11:30:10","modified_gmt":"2016-07-01T15:30:10","slug":"cary-tamarkin-an-architect-for-his-own-developments","status":"publish","type":"post","link":"https:\/\/newwebdev.wordpress-developer.us\/hauteresidence\/cary-tamarkin-an-architect-for-his-own-developments\/","title":{"rendered":"Cary Tamarkin: An Architect for His own Developments"},"content":{"rendered":"

\"Cary<\/a><\/p>\n

Photo by Donnelly Marks<\/a><\/em><\/p>\n

He\u2019ll likely introduce himself as an architect first, then follow with \u201cand a real estate developer.\u201d Cary Tamarkin is an architect for his own developments.<\/p>\n

The two professions can be perceived in contrasting lights, he explains. \u201cReal estate developers are food-spitting, greedy assholes, and architects are playing with crayons all day and making things as beautiful as possible,\u201d he says.<\/p>\n

At 12 years old, Tamarkin decided he wanted to be an architect. Before that, he wanted to be a painter, until he realized how difficult it would be to make money in that profession. \u201cBeing an architect, even though I had really no idea what that was, seemed like you could be both creative and potentially make money,\u201d he says. \u201cLord knows why making money was important to me at age 12.\u201d<\/p>\n

He took architecture classes in high school, and then graduated from the Harvard Graduate School of Design, going on to start a firm with his partner in Boston. But as a Long Island native, New York City was always his eventual destination. He jokes that when they raised the subway fares in Boston, he didn\u2019t mind because he felt it was preparing him for New York. In 1991 at 34 years old, Tamarkin moved back to the big city.<\/p>\n

Living in one of the most expensive cities in the world, notably in real estate, was when he realized, \u201cI was not willing to be a starving artist.\u201d<\/p>\n

He wasn\u2019t willing to give up his passion for architecture altogether, either. Tamarkin\u2019s transition into real estate development was swayed by more than New York City\u2019s pricey lifestyle.<\/p>\n

In 1994, Tamarkin Architecture PC and Tamarkin Co. were founded, beginning his successful\u2015and contradictory\u2015career as both an architect and developer.<\/p>\n

\u201cPeople don\u2019t know what to do with me, because I\u2019m an architect for my own developments. It\u2019s completely conflicting,\u201d he says. Respecting the cohesiveness of the brand, Tamarkin won\u2019t allow anyone but his own team of talented architects design his residential developments. And very rarely, under special circumstances, will he design another developer\u2019s project.<\/p>\n

\"140<\/a>
140 Perry Street<\/figcaption><\/figure>\n

Tamarkin Co.\u2019s first investment, purchased for $1.6 million in 1995, was Greenwich Village\u2019s 140 Perry Street\u2013\u2013formerly a warehouse and before that, a livery stable built in 1920\u2015which was converted into a five-story, 25,000-square-foot condominium with eight raw space residences, each ranging from 2,000 to 4,000 square feet. Tamarkin earned approximately $1 million from the project.\u201c<\/p>\n

I had never even seen a million dollars,\u201d he says. \u201cAnd the best thing about it was not the million dollars, but that I\u2019m still an architect.\u201d<\/p>\n

Keeping with Tamarkin\u2019s respect for classic modern architecture and materials, the structure was restored with minimal changes to the exterior, honoring its original design. Every building that he designs is intended to be an enduring edifice through time.<\/p>\n

\"508<\/a>
508 W. 24th Street<\/figcaption><\/figure>\n

Industrial-style steel windows and Roman bricks are defining details that are consistently incorporated into his architecture, which he describes as \u201cmuscular\u201d and mimics forward-thinking, yet timeless elegance. With 508 W. 24th Street, a 10-story, 56,000-square-foot condominium, the masculine composition of the building, constructed in concrete with a simplistic clock\u2015which faces the High Line and was designed as an architectural gesture to give back to the neighborhood\u2015built into the exterior, is balanced with oversized ribbon windows offering an envious view of the High Line from every apartment, conveying a look of refinement in the complex.<\/p>\n

Tamarkin is insistent on not being profiled as a stereotypical \u201casshole\u201d developer, \u201c[squeezing] every drop of blood out of every project,\u201d he says. \u201cWe have a reputation for being developers that care a lot about what we do.\u201d<\/p>\n

When sketching a new development plan, as an architect and developer, he considers both perspectives. While Tamarkin is happy to call himself both an architect and a real estate developer, his motives with respect to each profession often clash.<\/p>\n

\u201cOn this shoulder is a devil developer wanting to save money on everything,\u201d he says. \u201cOn this shoulder is an architect wanting to do beautiful stuff and spend money. So, they just fight with each other and give me a headache.\u201d In proposing the architectural design of a building, there are questions to consider: \u201cDo you build the most vanilla thing possible so you\u2019re not tilting it toward one group or another? Do you build what you like? Do you build what you\u2019re anticipating the people will like?\u201d The result is a combination of all of the above, he explains.<\/p>\n

\"10<\/a>
10 Sullivan Street<\/figcaption><\/figure>\n

At 10 Sullivan Street, a 16-story residential tower\u2015designed by Tamarkin Architecture for developer Madison Equities & PMG\u2015stands out for its triangular framework with rounded corners of curved glass and brick\u2015a striking structure upon entering SoHo that is unlike others in the neighborhood. Tamarkin Architecture PC is recognized for its expanding portfolio of dynamic, classically modern residential complexes throughout Manhattan, as well as occasional homes outside of the city, that each bestow an individualized impression on the urban aesthetic of the city. Outside of New York City on Long Island, Tamarkin\u2019s own home, a seaside, Japanese-inspired wooden house, slightly elevated above the dunes of Shelter Island, is constructed entirely of old-growth cypress wood with concrete flooring and is enclosed by his signature industrial-steel windows. Dividing the middle of the 2,800-square-foot home, a covered breezeway separating the sleeping and living areas creates a seamless indoor- outdoor setting. \u201cI don\u2019t want to be a hundred-person firm,\u201d Tamarkin says. \u201cI don\u2019t need to design the tallest skyscraper in the city. I just want to do beautiful work all the time.\u201d<\/p>\n

\"Shelter<\/a>
Cary Tamarkin’s home on Shelter Island<\/figcaption><\/figure>\n

The architecture firm\u2019s newest project is the conversion of a six-story Catholic school\u2015formerly St. Agnes Boys High School\u2015built in 1919 of limestone and brick and featuring tall windows and 14-foot ceilings on every floor\u2015into a high-end apartment complex. Tamarkin Co. bought the building, located at 555 West End on the corner of 87th Street, from the Archdiocese of New York for $50 million, proposing a plan\u2015which was accepted by the New York City Landmarks Preservation Commission\u2015to add a rooftop penthouse measuring nine feet, six inches, while preserving the original fabric of the building.<\/p>\n

\"555<\/a>
555 West End<\/figcaption><\/figure>\n

In school, students studying architecture are warned about not making much money as an architect. But Tamarkin has proven through a rewarding career as both an architect and a developer that by blending business and design, it\u2019s possible to accrue millions of dollars, while still designing beautiful architecture. Unfortunately, he says, professors don\u2019t tell you that. \u201cI\u2019m the architect for my own projects, in which I have financial interest. Nobody does that.\u201d<\/p>\n

All property images courtesy of Tamarkin Co.<\/a><\/em><\/p>\n

This story<\/em> is featured in the Summer 2016\/Fall 2016 issue of Haute Residence magazine. Click here to flip through the digital magazine.<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Designing million-dollar residential complexes for his own development firm, New York-native architect Cary Tamarkin is not the stereotypical real estate developer.<\/p>\n","protected":false},"author":67,"featured_media":3627697,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1749,1],"tags":[],"class_list":["post-3627694","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hlrn","category-news"],"acf":[],"yoast_head":"\nCary Tamarkin: An Architect for His own Developments<\/title>\n<meta name=\"description\" content=\"Designing million-dollar residential complexes for his own development firm, New York-native architect Cary Tamarkin is not the stereotypical real estate developer.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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